Even all these years later, I can still see those gravestones vividly. Death, to me, was tied inextricably to cherished things: to craftsmanship and poetry, to my father and to the beautiful things he made, and I couldn’t help but feel some tenderness for all of it. Many folks found this proximity to death and its souvenirs discomfiting, but my father was the first gravestone carver in the village of Stratton, New York, which meant that the distillation of death and grief into beauty was our family business. Instead, small, shambling family graveyards butted up against barns, or sprung up like pale mushrooms at the edges of pastures, in the yards of church, and school, and meetinghouse-until eventually you could look out across the village, see all those gravestones like crooked teeth in a mouth, and wonder who the place really belonged to, the huddled and transient living or the persistent dead? Cemeteries were not common in the early years of the 1830s. When I was a child, the dead were all around us. Now in 1984, Collette finds her life upended by the arrival of a gifted child from a troubled home, the return of a stalking presence from her past, and her own mysteriously growing hunger.Ĭombining brilliant prose with breathtaking suspense, The God of Endings serves as a larger exploration of the human condition in all its complexity, asking us the most fundamental question: is life in this world a gift or a curse? Her youthful beauty masks the dark truth of her life: she has endured centuries of turmoil and heartache in the wake of her grandfather’s long-ago decision to make her immortal like himself. Intrigued? Well read on to discover the synopsis and the first chapter from Jacqueline Holland’s The God of Endings, which is out now.Ĭollette LeSange is a lonely artist who heads an elite fine arts school for children in upstate New York. They are here to stay and they are here to slay.By turns suspenseful and enchanting, this breathtaking first novel weaves a story of love, family, history, and myth as seen through the eyes of one immortal woman. Picturesque is a band that should not be slept on in the scene. Picturesque decided to take a different direction and went with a more alt rock/hard rock route instead of their post-hardcore sound like their debut album "Back to Beautiful." This album includes singles "Necessary," "Crimes," "Swipe," "ATTN:," and "Pray" which acquired more than 4 Million streams on Spotify. "In the spring of 2020 Picturesque released their Sophomore Album titled "Do You Feel O.K.?" released via Equal Vision Records. In the summer of 2017, Picturesque issued their debut LP, Back to Beautiful, which included singles "Fake Fiction," "New Face," and "Honestly". Their first release, 2014's self-titled EP, featured three songs (including debut single "Speak Softly") that would later appear in acoustic form on the Broken Home Sessions EP and the fleshed out Monstrous Things EP, which arrived in 2015 The group got started in 2014 and also included founding members drummer Cole Clark and original bassist Robert Mote, who both parted ways with Picturesque in 2016. Formed in Lexington, Kentucky, the band is comprised of vocalist Kyle Hollis, guitarists Dylan Forrester and Zach Williamson, and bassist Jordan Greenway. Read Full Bio American rock quartet Picturesque injected pop melody into their aggressive post-hardcore delivery, similar to band like I See Stars, Hands Like Houses, and Sleeping with Sirens. American rock quartet Picturesque injected pop melody into their aggressive post-hardcore delivery, similar to band like I See Stars, Hands Like Houses, and Sleeping with Sirens.
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